Diwan el ghazal ghalib english6/13/2023 Although scholarship has generally emphasised the continuity of these poems with the shahr āshob tradition, this article re-assesses this body of texts through a careful analysis of their main literary motifs and highlights their originality and divergence from previous shahr āshobs. This article proposes to open new perspectives for the historical study of collective memory and trauma among Urdu-speaking ashrāf in the nineteenth century by looking at one collection of such poems entitled ‘The Lament for Delhi (Fuġhān-e Dehlī)’ (1863), which has recently started to attract the attention of historians. ![]() ![]() After the Uprising of 1857, many poets from north Indian cities resorted to the Urdu nostalgic genre of shahr āshob to recall mournfully pre-colonial urban landscapes and articulate emotional and poetic narratives of loss.
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